The speaker was Christopher A. Adams, a writer, bibliographer, and doctoral student whose dissertation subject is British queer fiction publishing from 1945 to 1967 (when homosexuality was partially decriminalised in British legislation). This was a really fascinating talk on the hidden history of queer books in Britain. We were given lots of examples which were immediately added to my reading wish list, and we had ample opportunity to ask questions as well.Continue reading “Event Report: LGBTQ+ Publishing History”
Curiosity about the holdings of the National Museum of Malta aroused my interest in this seminar. I’ve been to many talks on print techniques over the years, so was expecting to come away as baffled as ever about how the ink ended up on the paper in most cases. It is very difficult taking someone’s spoken or written description and turning it into images of how the processes work in your head. Letterpress I can imagine, but it gets more complicated when the speaker is trying to describe the various different offset techniques.
I was pleasantly surprised to come away feeling much more enlightened. As background introduction, Krystle took us clearly, but rapidly, through the many centuries of printing history, from Chinese woodblocks, through the various hand-presses, to modern photographic printmaking. Each phase was accompanied by close-up images of the finished product, plus supporting material on individual techniques. Both were extremely useful in showing the difference between copperplate and intaglio for example.
In her day job, Krystle is in the process of cataloguing c. 4,500 prints. As she demonstrated, use of a microscope or the zoom feature on a modern phone allows her to investigate the images more closely in order to identify the technique used. This must be invaluable as many of us have struggled in the past to be confident in our assessment of images when the maker has been a master of their technique. I do hope that Krystle will do more talks or seminars on printmaking techniques. Although images of her slides are imprinted on my brain, I’m sure a refresher will be required at a future date. One day, perhaps, a good excuse to visit Malta.
Krystle is the first art historian in Malta specializing in historical prints and book illustration. Her ongoing doctoral research includes cataloguing and studying the only intact 18th century print collection in a public museum of over 4,500 prints amassed by one man. She has also started hunting for Incunabula in Malta with a team of other researchers. She has recently joined MUŻA, the Malta National Community Art Museum that houses the national collection of art, where one of her tasks is to research the prints and rare books that have remained unstudied for years. Her passion is to teach about the importance of printmaking in the history of art and of the book through public outreach and object-based study.
This is a live-only seminar – no preparation in advance (except for the speaker, obviously), no recordings afterwards, just an expert speaker talking on Zoom for around half and hour followed by group discussion and chat.
Full details and registration: https://beginningcataloguing.teachable.com/p/bookhistory-seminar-december
1. Descriptive Cataloging of Rare Materials (Books) (DCRM(B)). The main standard for rare books cataloguing is maintained by the Rare Books and Materials Section (RBMS) of the Association of College & Research Libraries and is available to download in pdf form for free.Continue reading “Beginning Cataloguing Rare Books: Ten Free Resources”
Updating presentations in the old Youtube channel I used with students in a previous role, and moving content to our Teachable page, you can see this video on quasi-facsimile of borders and compartments.
We were really happy to welcome participants to Beginning Bibliography, whose first unit materials went live yesterday.
With books stranded in my old office, my London Library membership really came into its own in preparing the course – first time using postal delivery. As usual, their service was superb.
I’ve also acquired some new old books, ordering online from various booksellers, who have similarly been quick and efficient in posting out. You can’t teach material culture without the materials, that’s for sure!