Last week saw the first of our Book History Seminars, led by Sara Charles (Teaching Manuscripts) and I took the Chair’s prerogative to write the event report.
Sara is part of a growing number of researchers who unite their love of making and their love of research by using historical remaking in their academic work. From Alan May’s experiments in making printing presses through Joumana Medlej’s Inks and Paints of the Middle East (and her forthcoming Wild Colours: Seasonal Inks and Paints) to Jessie Wei-Hsuan Chen’s Hortus Floridus Iessi, people are finding more and more imaginative methods to engage with the ways in which early books were made.
Continue reading “Making Manuscripts (Book History Seminar)”